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Electronic
Music: these tunes all fall into the "classical
electronic" genre. |
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8
Turntables (1996): This song collage cuts from 15 albums of indigenous
music. Rich, delicious and seamless. |
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Broken
Heart (1987) Spoken phrases and fragments of phrases mesh to create
a mesmirizing story. |
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First
Mirage (1985) : Very slow crescendo to intensity disolves into it's
parts. A brand new Ensoniq Mirage was in the studio...oh yeah! A full eight
bits of sampling power! I recorded my hand dragging over a balloon, my voice,
and some drum machine stacatto. Then added a thin touch of DX7 sonorities.
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NeuroActivity
(1989): The first sound you hear is tweaked and becomes the second sound.
Each succeeding sound evolves from the one preceeding it. Eventually, everything
is reversed and you arrive back at the original sound. |
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Regeneration
(1989): This is what I call a Mixer piece. 24 tracks of material were recorded from beginning to end. Then I composed it by arranging the entrances and exits of the different tracks. The materials include electronically manipulated sounds,
voice, saxophone, piano, and internal piano. |
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SCRILL
(1990): Intense and rich noiseScape exploring the low and high end frequency
spectrum using the rare, hybrid Touche synthesizer. |
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SPLIFFID
(1986): A musique concrete piece, collaging three sounds from a bicycle.
Turn out the lights and crank it up. That's what I did when creating this
piece. I recorded three sounds from a bicycle then manipulated those three
sounds until I had a library of sounds all related to the first three. I
listened the sounds and arranged them on a four track for a final mix. |
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THROWDOWN
(1986): Fast moving percussion patterns drive this tune. A pal had just
compossed a song for percussion. He entered that patterns into a drum machine. I took the output from the drum machine channelling
each instrument to a different Synth/sampler. |
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